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Book Review – “Out of the London Mist” by Lyssa Medana

Review: My favorite genres are fantasy and science fiction, yet I am also a long time lover of gothics, and the rise of steampunk writing is the perfect opportunity to enjoy them all. In “Out of the London Mist”, an even greater, insidious mystery unfolds as John Farnley searches for his brother’s killer, and finds a string of murders all interconnected and which must be solved… or more people surely will die.  He is assisted by others in his search for the Truth, most notably by his sister-in-law Clara, and a known colleague Sylvia Armley.

The effort to create atmospheric, believable settings on the streets and in the townhomes of London past is noticeable from the very first page, and continues throughout. I also particularly liked that the dialogue was well-done, a skill some writers do not seem to understand. You can have extended conversations that provide important clues, move the story along and give insight into your characters personalities, yet still creatively goes beyond, “He said/She said”. I felt Medana did so effectively in the novel, as well as describing action scenes in a way readers could easily visualize them.

I would have enjoyed more backstory on how the new Lord Farnley knew Sylvia, what their previous adventures may have entailed, as well as more information on the nature of Aether, a worldbuilding expansion that could more firmly root readers in how this London was uniquely different than that of our reality’s past. Yet overall, I felt it was a solid, very enjoyable novel that progresses naturally and smoothly, and a bar a couple of personal questions about terminology for non-English characters, I would definitely recommend “Out of the London Mist”. It lends itself well to a sequel or possible series.

Description: “When news of his brother’s murder reached him, aether pilot John Farnley raced back to his old family home.

While he comforts his bereaved sister-in-law, and tries to sort the family business and holdings, he also wonders why his brother, Lord Nicholas Farnley, had ventured into the cramped streets of the East End of London where he had met his violent end. The slums are a deadly place where life was cheap and murderous thugs preyed on the weak and lost.

Now, in the midst of a thick, London fog, something even more monstrous is waiting in the mist-shrouded shadows. Something that has been brought to life by the refugees crowding Bethnal Green and Mile End. Something his brother might have had a hand in creating.

Aided by his friend, the resourceful Miss Sylvia Armley, his own understanding of the aether lines that flow above London, and guided by the erudite advice of Professor Entwistle, John is forced to find his way through the darkest part of London to avenge his brother and stop whatever aether powered monster is lurking there.”

    • Genre: Steampunk
    • Publisher: Three Furies Press, LLC
    • Published on 23 July 2020
    • Available online Amazon, in print Barnes & Nobles
    • Source: Author


Author Profile

Lyssa Medana is a 51 year old author living in West Yorkshire, UK. Her works include The Forgotten Village, Digging up the Past, Cats in the Bible, Dinner at Dark and Tales from the White Hart. Lyssa also regularly publishes poems and short stories on her blog, Always Another Chapter.

Lyssa is fascinated by the odd, the quirky and the unusual and enjoys dipping in to old folklore and English social history, which she shamelessly uses for her writing. Her hobbies include knitting, reading and heckling history documentaries.

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Filed under Action/Adventure, steampunk

Interview & Review of Robert Dunbar’s “Willy”

Review: At a home for troubled youths, a young man struggling with his own emotions becomes integrally involved with Willy, another young student with problems of his own, both internally and externally, past and present. I found the narrative to be admirably in character at all times, yet the style didn’t work for me. For me it very difficult to move through the book though certain descriptions and ideas did stand out, and I understood the method and reason behind the choice.

The language used was very visual, often intense yet believable in an ordinary way so that when you realize the suspense has built, it’s almost a surprise. You’re surrounded, and find yourself entirely immersed in the drama the main character is experiencing.

Personally, for the homo-erotic content some readers or reviewers mentioned, I must be eclectic or very open-minded or it’s a Berliner thing, but the interaction that happened seemed entirely normal to me (that’s a good thing) and representative of adolescent exploration that simply isn’t often admitted by those who may feel threatened by the spectrum of sexuality after they become adults. For the dark psychological aspects, perhaps because I’m a Psychology major and have worked with severely troubled children and adolescents in the past, the story didn’t seem overly heavy or dark to me. Seen too many things far worse.

I found “Willy” to have a unique voice and perspective that certainly would appeal to many readers.

Description: In an isolated school for boys with emotional problems, a disturbed adolescent struggles against a mire of superstition and oppression. Then he meets Willy, and the other boy – charismatic and strange – saves him … or damns him. WILLY, an atmospheric novel of suspense by the author of THE PINES, THE SHORE and MARTYRS & MONSTERS, becomes both an evocation of painful growth and a dark psychological thriller.

Paperback, 272 pages
Published January 24th 2011 by Uninvited Books
ISBN13: 9780983045724
Source: Author
For availibility of work, please visit Robert Dunbar’s website http://www.dunbarauthor.com/


Robert Dunbar in his own words:

What genre do you write? Why do you write the stories that you write?

I’ve written a lot of things, everything from – you should pardon the expression – straight literary fiction to suspense and science fiction, though primarily of course I’m known as a horror writer. Personally, I prefer the term dark fiction, because it feels so much less restrictive. As for why I write what I do … I’m not at all sure how to answer that. An artist’s work is like a fingerprint – each one is distinctive. Critics are always comparing my work to that of other writers, often with hilarious results. I hear ‘Stephen King’ a lot, which always cracks me up. I mean, I know it’s meant kindly, but I can’t even think of another author with whom I have less in common. And sometimes these comparisons are extremely flattering, if a bit puzzling. Just this year, I’ve gotten everything from J. D. Salinger to Flannery O’Connor. Personally, I don’t think I write like anyone else … which is as it should be.

 What do you like to do when you’re not writing?

When am I not writing?

 Where do you hang out online?

These days, my favorite virtual hangout is probably the Literary Horror group at Goodreads – running that has been very stimulating. It attracts a very smart, very engaged group of people, lots of teachers and librarians and writers. (Okay, so the writers may not be as smart of all that: we do our best.) My personal site remains www.DunbarAuthor.com, but I’ve now got a fan page set up on Facebook for Uninvited Books, and that’s also been great fun.

 What would you like readers to know about you the individual?

Dunbar the person as opposed to Dunbar the writer? I don’t think I can make that distinction. It’s all so intimate, all that passion and discipline. How could it not be? Writing is an identity issue, not an occupational one. (I’ve always told aspiring writers that if they can do anything else they should. This is way too hard a life for anybody with a choice.) Do you understand what I mean? This isn’t just my life, it’s me, all of me, and whatever pride I take in my work is ultimately beside the point.

My books have often annoyed the hell out of populist reviewers, but a more literary crowd has always praised me in the most amazing ways. (What was it Churchill said about having enemies? That it proved you stood for something?) Truly, the accolades can be quite alarming, not that I don’t love them. What writer isn’t thrilled at finding words like “masterpiece” and “superb” in a review? But some of the most meaningful feedback has been from readers, you know, comments online or at lectures and signings, that sort of thing. People often voice their astonishment at how much sheer humanity my underclass and minority characters possess, which I normally interpret as a sad comment on the usual stereotypes. (The horror genre is only slowly emerging from a long reactionary period.) Recently, I heard from a reader who marveled that I write about gay characters who seem like regular human beings. That really moved me. And, yes, I think that indicates a lot about what kind of a writer I am … and what sort of a person.

No, the question wasn’t designed to make a distinction, as I believe every individual can be such a variety of things, there is no reason for writer or writing to make them specifically different from others. As I live and move among those search for higher and wider gestalts of thought and being, yes, I understand what you mean.

“write about gay characters who seem like regular human beings”

I found that a very interesting statement, both with critique and admiration for the expression. I would have to say that is positive on the person’s part, though in a homo-ignorant kind of way, and in general for your writing, a plus, as I’ve not seen your work in general added to “m/m fiction” or gay fiction lists. I’ve experienced the fact far too many readers don’t seem to be able to differentiate between fiction that contains real gay situations and characters from those that are entirely fictitious or make gay characters into caricatures. So that the boundaries of gays as “regular human beings” has become blurred, when that is what we are anyway.


Your Writing Process


Why do you write?

For the same reason I breathe. Sorry – that sounds so pretentious. It’s the truth though. How else could I live?

It doesn’t sound pretentious to me in the slightest, but merely honest. But then, where I’m from, we just tell it like it is.

 Do you have any advice for aspiring writers?

Read. You wouldn’t think that would be such a radical suggestion, would you? Sadly, it seems to be. So many “writers” apparently just skip that whole business of learning their craft. I can’t really think of any other discipline where this happens so often. Not in music. Nor dance. In art class, they begin by teaching you to see. You study the masters. You learn perspective and anatomy and composition, and only then do you begin to paint. But pretty much anybody can click on “spell check.”

 Do you track work count or write a certain number of hours per day?

I work as many hours a day as I can. Beyond that, no, I don’t count paragraphs or pages. But it’s always a battle. Everything in life makes demands on your time, your strength, your passion, and you have to resist. Your will becomes a machete for hacking away all the inessentials, so that you can carve out a space for yourself, for your life, your real life, and you must protect that fiercely. The battle never ends.


Your Books


How many books have you written? Which is your favorite?

There are four right now, and several others in the works. My favorite? Tough call. Probably the best known is still THE PINES, which continues to attract devotees. It’s always a thrill to hear it referred to as a “modern classic.” But in many ways, I prefer THE SHORE. (It has a smaller but – if anything – more rabidly intense group of admirers.) But WILLY and MARTYRS & MONSTERS are the ones closest to my heart, probably because of the autobiographical aspects – WILLY most of all.

 Do you outline your books or just start writing?

All writers outline … even the ones who don’t know they’re doing it. Somewhere inside there’s a blueprint. Personally, I need to create that framework, or else the details of a book just proliferate out of control. The trick is – having created the thing – to ignore it, not to let it inhibit the process. What dancers call flow, you know, when it’s just coming through you … when you don’t even have to think about it. You have to trust your instincts enough to know when to let go.

Well, I’ll have to disagree with you there, but maybe because I don’t care for generalizations involving an infinite “all.” I don’t online some of my work, it comes as it wishes.

 How does it feel to hold a book that has your name on the cover?  What is your favorite cover of all your paperbacks?

Now you’ve really hit a nerve: this used to make me cringe. The original cover for THE PINES had a bloody stump on the cover, and the gore was actually embossed. But that book has had so many editions that I’ve lost track. Through the years, I’ve had good covers and bad ones. Even some generic ones. But all the titles from Uninvited Books, like – WILLY – feature sophisticated, elegant artwork by Chas Hendricksen … who happens to be the love of my life. (Just wait till you see the cover for the new edition of MARTYRS & MONSTERS that’s about to come out.) I am a very lucky writer. People can check out Chas’ cover designs at www.UninvitedBooks.com.


Your Characters


Do you tend to base your characters on real people or are they totally from your imagination?

Those are not mutually exclusive options. I’ve had lengthy relationships with people who turned out to be largely imaginary. Most of my fictional characters are far more substantial.

I had to smile. Those weren’t intended to be, but rather a point from which the author could expand upon.

 Is it hard coming up with names for your characters?

No, they tell me who they are.

 Have any of your characters ever haunted your dreams or woken you up during the night demanding attention?

All of them.

 Is there a character from one of your books that resonates deeply with you?

So many. A particular one? There’s the nameless narrator of WILLY of course. Beyond that … how about two? There’s a pair of boys in MARTYRS & MONSTERS – Timmy and Conrad – who have always just broken my heart, maybe because of the way they constantly hurt each other. They’re junkies. Timmy hustles. Con is a thug. These kids have “doomed” written all over them. But they’re in love. And part of me wants so desperately to believe that this could save them. I often feel them inside me, those two, and they turn up in my dreams a lot.

A huge thank you to Robert Dunbar for taking the time to reply to this set of interview questions, and for his patience regarding my intercontinental move that forced me to delay posting his review and interview, the latter of which was completed by him several weeks ago.

Author Bio:

Robert Dunbar is the author of the supernatural thrillers THE PINES and THE SHORE, both of which garnered profoundly postive reviews. He is also the author of MARTYRS & MONSTERS — a collection of his short fiction — and a new dark literary novel WILLY. He has been called “the catalyst for the new literary movement in horror” and “one of the saviors of contemporary dark fiction.”

Dunbar has written for television and radio as well as for numerous newspapers and magazines. His plays and poetry have won awards, and his short fiction has been widely anthologized.


Filed under Contemporary Fiction, Dark Fiction, Reviews

Drum Dance by Bonnie Turner

Review: “Drum Dance” begins with a believable premise many people might identify with: the attempt to get know a parent again after being separated for some time. As young David is flown to the icy trading post which his father manages, the battle through the elements was particularly outstanding. Not trying to stereotype all seventeen year olds, but I found some of the thought processes, reasoning and observations suggesting experiences were somewhat beyond the main character’s years, and more representative of a matured man in his thirties. I realize, however, this is taking into consideration the time period as well as David’s expressed Christian upbringing.  Perhaps this was an unspoken element dating the setting, for many young people then had responsibilities beyond some of the social media, fashion and/or entertainment obsessed adolescents of today, so very self-centred in concerns.

Some things which worked against the pacing for me was the fact it is a dialogue heavy manuscript where the speaker isn’t always clearly confined, which I sometimes found confusing. Changes in sentence and paragraph structure might have helped this. I felt providing scene details and background information would have been better served in smaller portions at a time, or at set times within a scene which didn’t isolate sentences of a conversation.  Such as in the scene when David meets his father again after long years of separation, during a rather emotional exchange, we’re panned off to a couple of paragraphs describing the room before it picks up again. There are some editing issues, especially towards the end but I would attribute this to the fact I was supplied with a final manuscript in .doc form and not the finished .pdf version.

It’s an engaging tale, rather a “coming of age” of sorts, and it’s a nice step outside the bounds of truly contemporary works though it’s not quite historical fiction. It’s set in the late nineteen thirties, yet except for a few references to the Great Depression and the beginning of World War 2, it could have been any time period, for the way of life in the snow and ice of the great Canadian north is in many ways unchanged in basic needs, daily life and activities. Plotting was good, and the author’s knowledge of the Canadian Artic and this particular indigenous tribe was apparent, which is a huge plus in “Drum Dance’s” favour. The supporting characters, mostly in the form of natives, were “real” for me, and the main character David, likeable. Although I had a lingering wish for more narratives and less “spoken” words to provide a greater depth and inspiration for empathy, I was satisfied with the story as a whole, and found the work one to admire.

Personal Note: As a Native American, I particularly respected the author’s not presenting native customs and life in a derogatory manner simply because it is different than Euro-Christian beliefs.

Description: A young-adult historical novel set in Canada’s central Arctic in the late 1930s.

Seventeen-year-old David Jansson moves to an isolated fur-trading post at Gjoa Haven to live with his estranged father, Per Jansson, manager for the Hudson’s Bay Company. Expecting a loving reunion when he arrives on the harsh, sunless island in late February, David instead finds an alcoholic father with a flash temper. David’s struggle to stay sane amid conflict over a half-blood Inuit girl, a shaman who sees the youth’s potential for shamanism, plus David’s chilling psychic abilities, lead him to risk his life by underestimating the weather … and his own heart … in the same area where Sir John Franklin and his crew froze to death searching for the Northwest Passage.

  • Paperback, 240 pages, also in Kindle format
  • Published December 6th 2010 by Lulu.com (Imprint: Aurorawolf) (first published November 14th 2010)
  • ISBN13-9780557855216
  • Buy Link: Amazon, Smashwords, and Lulu.com
  • Source: Author
  • Genre: Young Adult, Recent Historical Fiction


Filed under Child/YA Fiction, Fiction, Historical Fiction

Protector of the Realm by Gun Brooke

Review: Book 1 in the Supreme Constellations series, “Protector of the Realm” is solid science fiction, and by that I mean there are times when I’ve read “sci-fi” where the storyline and plot feel like contemporary fiction except for a few advanced gadgets or someone is flying a space ship instead of an airplane. That in itself is not necessarily a bad thing, but when I read (and perhaps that’s why my favorite genre is science fiction) I wish it to be an immersive experience.

Society and cultural needs are different. If there are young people, schooling and what subjects are offered are different, attitudes and behaviors are also changed even if subtly, even if it involves what we think of as those from our own society now in space or on some distant world. All societies evolve over time, other ideas are incorporated or former ideas put aside, yet usually it is not very extreme.

These are the intangibles some writers neglect including in their work. Gun Brooke did not. Some writers aim for the extreme, which can be interesting in and of itself, yet Gun had the right balance to keep her characters and the universe they live in believable within the type of story she created. There were times I found some descriptions regarding emotion repetitive and a character’s choices perplexing, but if they were of an alien race, I suppose that was to be expected.

The plot is complex with a number of details and players, but not so much so that I grew frustrated. Progression is natural, with no serious lags in action although it is a longer novel. I understand a little more than average about theories of how space-going vessels might travel and appreciate when a writer presents them in an understandable way, but not overly detailed so as to be distracting. When it is too complex and extended, for many it causes attention to wander or one questions the necessity of that much information, similarly thus with the sex scenes in this novel. I felt the relationship was reasonable and engaging, yet the extended scenes not integral to the whole.

“Protector of the Realm” is a sweeping space adventure, a romance and a drama. The writing style is distinct, and might take a little while to get into, but once you’re in it, is compelling to the very last page.

Description: Book One: Supreme Constellations. “With the fate of entire civilizations at risk, the galactic battleground makes for unusual alliances and unexpected passions as two women from very different worlds join forces. When Commodore Rae Jacelon of the Gamma VI space station apprehends the alluring but decidedly dangerous Kellen O’Dal, it is the start of a breathtaking love story, as well as a dangerous rescue mission. A space adventure filled with suspense and a daring intergalactic romance.”

Author: Gun Brooke
Series: Supreme Constellations Book 1
Pages: 360
ISBN-13: 978-1-933110-26-4
Genre: Science fiction, Lesbian Fiction

Publisher/Buy Link: Bold Strokes Books

Source: Publisher


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Filed under Lesbian Fiction, Science Fiction